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I try and approach it like any other scene. MB: Obviously, when you're doing an intimate scene, you have some kind of, "Oh my god, I've got to get naked" about it. (HBO)īA: So sex is dealt with in a really nice way in this series. Murray Bartlett and Andrew Keenan-Bolger. Dom is sort of toward the other end of the spectrum: Fuck, what am I doing? On one level, I totally relate to where he's at, but we have had different experiences. I'm happy for the things that have happened. You know, I thought I could have done this, or I could be better at this, but in general I've had a great life. I'm halfway through my life - so I better be doing what I want to be doing.ĭom is going through a similar sort of reflection, realizing he's not where he wants to be. For me, it was a really great thing because it made me think, "I wanna make sure I'm doing what I want to be doing." It was a good sort of refocusing for me. You're faced with all the associations you have with "your forties" - whatever that means. It's one of those times of your life when you go, "Whoa, I'm 40! Am I the person I wanna be?" You measure yourself up against people, against expectations.
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benchmarks? Maybe that's not the right word. But turning 40 is a big deal! And I wasn't expecting it to be one of those. MB: I like to think I don't think about it much. How was it turning 40 for you? Do you and Dom share similar thoughts about it? I didn't feel like I'd seen written in this way, on TV.īA: Dom's age is sometimes a big deal in the series. it's very interesting to see a gay man in his forties on TV. I knew I was taking on a character with clear connections that I could understand at this time of life. So: a very real, naturalistic, unfiltered style. MB: I knew Michael and Andrew would be taking this show into a certain tone - one of the ideas was to bring some of the tone and sensibility that Andrew had in Weekend. "It's one of those times you go, 'whoa, i'm 40! am i the person i wanna be?'" I really like the show, and I like being in the company of people committed to the show. It's such a dream job working with these great people and great scripts. So when Looking came up, I was incredibly excited. I also met Andrew at a couple of festivals. I met Michael Lannan socially, very briefly, a few years before came up. Guiding Light was helpful in getting my green card. For the first couple of years, I went back and forth. It was kind of amazing to have that as my first job! Out of that, I got an agent, and then it took a number of years to get a visa. I fell in love with the city, so I stayed longer. Well, I studied and worked as an actor for years in Sydney, and then I basically came to New York because I was restless.
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The interview has been edited for length and clarity.īrandon Ambrosino: So how does an Australian wind up on Looking? I recently caught up with Bartlett to discuss Looking with him, and to find out whether he and Dom share similar thoughts about aging. The characters aren't stereotypes, as gay characters have often been on television (think Will & Grace's Jack McFarland), and the dialogue and plots seem very aware of what life is like for many gay men in 2015. After that, he went on to soap fame (Cyrus Foley on Guiding Light) and toured Australia opposite Hugh Jackman in The Boy From Oz.īartlett says that Looking is a reflection of where gay culture currently is headed. Dom is not where he wants to be, professionally and at times personally, and he, like his friends in the series, is looking for more - for what's next, for who's next.īartlett's big break came in 2002, almost accidentally, when he landed a memorable spot on one of TV's most successful shows: Sex and the City as Carrie's gay Australian best friend. In the first season, he turns 40 - and, as the show makes clear, milestone birthdays can sometimes be a swift kick in the gut for the aging. Right off the bat, what jumps out about Dom is his age. Part of this is thanks to the show's great characters, one of whom is Dom Basaluzzo, a career waiter, played by Australian Murray Bartlett. Brian Moylan, though not without his criticisms of the show, said Looking's second season is "groaning toward greatness." The show has upped its storytelling and character development, earning higher marks from critics. HBO's Looking has matured in its second season.